Sargam Records Lineup: Sunny Hasan (vocals), Babna (guitar), Shantu (bass), Russell (drums), plus new keyboardist Jewel.
is the definitive pioneer of Bangladeshi heavy metal and hard rock . Formed on June 6, 1984, in Dhaka, the band revolutionized a music industry previously dominated by mainstream pop and folk. Over four decades, they introduced local audiences to complex guitar solos, double-bass drumming, and powerful socio-political lyricism.
The Golden Era
Warfaze: All Album is a valuable anthology that documents an essential chapter in Bangladeshi metal. It’s both a nostalgic trip for long-time fans and a solid entry point for newcomers curious about heavy music outside the mainstream Western canon. Despite some variations in cohesion and production, the collection’s strengths—compelling riffs, sincere lyrics, and evident musicianship—make it a rewarding listen.
The eighth studio album, Shotto , is a symphonic and progressive heavy metal powerhouse. It contains the mega-hit "Purnota," a sweeping ballad that dominates local streaming platforms to this day. The album balances aggressive heavy metal thunder with intricate, soaring melodies that prove the band's timeless relevance. Essential Non-Album Singles and Collaborations warfaze all album
The discography is a testament to the resilience and evolution of rock music in Bangladesh. From the raw energy of 1991 to the technical proficiency of 2012, they have continued to produce, perform, and inspire, proving that they are indeed the kings of Bangladeshi hard rock.
Shotto deals with political disillusionment. "Nishiddho" (Forbidden) is a coded critique of censorship under the then-ruling BNP government. The title track "Shotto" asks whether truth can exist in a corrupt society. Sargam Records Lineup: Sunny Hasan (vocals), Babna (guitar),
G-Series (Bangladesh) Major Lineup Change: Lead vocalist Hasan Abidur Reza leaves (forms band Renaissance). New vocalist: Sunny Hasan (formerly of Prometheus).
Experimental and diverse, proving Warfaze wasn't afraid to push boundaries. 5. Aalo (2001) Over four decades, they introduced local audiences to
The self-titled debut was a revolutionary force in a music scene then dominated by pop. It introduced audiences to a sound previously unheard of in the country. Key Tracks
"Boshe Achhi", "Ekti Chhele", "Bichchhinno Abeg". 2. Obak Bhalobasha (1994) Status: Masterpiece of progressive rock