Ultimately, Tra(sgre)dire is viewed as a work that combines a specific genre focus with genuine technical skill, offering a commentary on the nature of possessiveness and the pursuit of individual freedom. Share public link
In the year 2000, as the world held its breath between millennia, Italian cinema’s most unapologetic provocateur, Tinto Brass, released Trasgredire . For English-speaking audiences, the film arrived under the lighter, more mischievous title Cheeky . Two and a half decades later, the film remains a fascinating artifact — a bridge between Brass’s 1970s avant-garde libertinism and the polished digital erotica that would flood the internet in the coming years.
Trasgredire was written and directed by the maestro himself, . The screenplay was a collaborative effort, with Brass working alongside Carla Cipriani, Nicolaj Pennestri, Silvia Rossi, and Massimiliano Zanin. The film was produced by Massimo Ferrero. Behind the camera, the film was brought to life with lush, vibrant visuals by cinematographer Massimo Di Venanzo , and the unforgettable, bouncy score was composed by the legendary Pino Donaggio . Donaggio, famous for his work with Brian De Palma on films like Carrie , brings a playful, energetic quality that perfectly complements Brass' visuals.
: Carla meets Moira , a seductive real estate agent who opens her eyes to new erotic horizons.
Trasgredire follows Carla (played by Yuliya Mayarchuk), a young London-based Italian woman working as an assistant to a flamboyant photographer. The narrative structure is classic Brass: Carla’s job involves viewing erotic images, blurring the line between professional detachment and personal arousal. She shares a flat with her best friend, Moira (Francesca Nunzi), and navigates relationships that are strictly physical, emotionally open, and sexually curious.
The cinematography, handled by Massimo Di Venanzo, is lush, colorful, and vibrant, while the music is provided by the legendary composer Pino Donaggio, known for his work with Brian De Palma on films like Carrie , as well as his previous collaborations with Tinto Brass on erotic films like All Ladies Do It and Frivolous Lola . Donaggio's bouncy, upbeat score is integral to the film's lighthearted tone. trasgredire cheeky tinto brass 2000 tras
– Medium-bodied but aggressively tannic. This is not a smooth wine; it’s a textured argument. Flavors of overripe plum, dark cocoa, soy sauce umami, and a jolt of balsamic acidity. The finish is long, drying, and leaves a peppery tingle on the gums.
So whether you call it Trasgredire , Cheeky , or simply "tinto brass 2000 tras" , seek out this film. Let it remind you that transgression, when done with a wink and a warm heart, is not corruption — it’s liberation.
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Yuliya Mayarchuk’s performance captured the specific blend of mischief and independence central to the director's cinematic vision during this period. Cultural Impact and Legacy
The narrative explores the conflict between Carla's genuine love for Matteo and her natural, uninhibited sexual desires. As the Arrow Films synopsis describes, the film is "a genuinely moving look at problems arising when a desire to remain scrupulously faithful collides with the lure of baser instincts". Trasgredire challenges the very notion of "cheating," redefining it not as a betrayal, but as a form of personal exploration. Ultimately, Tra(sgre)dire is viewed as a work that
Though set partly in London, the film’s most memorable sequences unfold in Naples. Brass, a lifelong lover of the city’s raw, theatrical energy, uses Naples as a character — its narrow alleys, its seaside, its unguarded sensuality. The cinematography by Massimo Di Venanzo is glossy and warm, favoring the female posterior in extreme close-up (Brass’s famous “fondo in su” or “from below” angle). Critics have debated whether his camera is celebratory or objectifying; Brass himself always insisted he films the female body as a director who worships women, not as a voyeur.
During her search, Carla meets several characters who embody the eclectic spirit of the city. She develops a flirtatious relationship with her landlord, Bernie, and engages in a series of erotic misadventures that challenge her loyalty to Matteo. The Climax:
Unlike many contemporary erotic films that moved toward video, was shot on 35mm film by cinematographer Massimo Di Venanzo to maintain a high-gloss, "big screen" aesthetic. The film features an isolated score by the legendary Pino Donaggio , known for his work with Brian De Palma. Reception and Censorship
Set against the backdrop of a sunny London and the romantic canals of Venice, Cheeky follows Carla ( Yuliya Mayarchuk ), a free-spirited woman searching for an apartment—and perhaps a bit of trouble—while her jealous boyfriend Matteo waits in the wings. It’s a lighthearted romp that trades deep plots for pulse, pulse, and more pulse. Why it’s a Cult Favorite:
Below is a comprehensive write-up of the film, covering its clever title, plot, themes, and production style. 1. The Clever Wordplay of the Title Two and a half decades later, the film
The English title Cheeky captures the film’s tone perfectly. Brass never moralizes. Instead, he uses slapstick, ironic voiceovers, and playful camera angles. The "cheeky" behavior includes:
Shot on 35mm, Brass brings a richness of color and imagery rarely seen in the genre, proving why he's considered a master of the "erotic lark".
The "cheeky" element of the title is apt — the film is not somber or heavy but lighthearted, humorous, and unashamed. Carla communicates with her boyfriend Matteo (Max Parodi) mostly through phone sex and letters, exploring fantasies without guilt. When she meets a mysterious woman and later a charming stranger, the film delves into bisexuality, exhibitionism, and the thrill of transgression.
Upon its release, the film faced significant pushback from political figures in Italy, particularly regarding its suggestive promotional posters. For years, international versions were heavily censored—some DVDs were shortened by nearly a minute to remove graphic close-ups—until recent uncensored 4K restorations by labels like Cult Epics B&S About Movies Cheeky (2000) - IMDb