Yes - Close To The Edge -2013- -flac 24-192- !!top!! Jun 2026

Enter the 2013 high-resolution release.

Expands the dynamic range from 96dB to 144dB. Lowers the noise floor so quiet passages (like the morning birds at the album's open) are perfectly distinct from explosive crescendos. 192 kHz

: A masterclass in rhythmic counterpoint, featuring interlocking guitar, keys, and bass riffs.

When Yes released Close to the Edge in 1972, they didn't just release an album; they cemented a cornerstone of progressive rock. Decades later, in 2013, this magnum opus received a sonic rejuvenation that audiophiles and prog-rock purists had long craved. The release, featuring the definitive remix by Steven Wilson, remains arguably the most immersive way to experience this masterpiece. Yes - Close To The Edge -2013- -FLAC 24-192-

To truly appreciate the file, your playback chain needs to support high-resolution audio:

This article dives deep into why this particular high-resolution release is considered a landmark for collectors, the technical magic behind the 24-bit/192kHz FLAC encoding, and how it transforms one of the most complex albums ever recorded.

The highlight of this 2013 release is the remixing work by Steven Wilson. Known for his work with Porcupine Tree and his meticulous remixing of classic prog albums, Wilson approached Close to the Edge with both reverence and technical prowess. Enter the 2013 high-resolution release

In the title track, the chaotic "keyboard storm" intro is untangled, allowing Wakeman’s organ and Howe’s sitar-guitar to occupy distinct spaces. Low-End Definition:

The album’s closing track is a masterclass in progressive funk and polyrhythms. In this high-definition container, the interplay between Steve Howe’s staccato guitar riffs and Alan White's/Bill Bruford's percussion is perfectly localized. The harpsichord solo by Wakeman cuts cleanly through the mix without sounding piercing. Every element retains its own discrete pocket of space, allowing the listener to easily isolate and follow any single instrument from the intro to the final, fading vocal rounds. The Ultimate Archival Experience

The 2013 Definitive Edition of Close to the Edge , represented by the keyword "Yes - Close To The Edge -2013- -FLAC 24-192-", is more than just a reissue. It is a landmark achievement in audiophile archiving. By providing a flat transfer of the original master tape at the maximum practical resolution, it delivers the most authentic and breathtakingly detailed digital version of this legendary album. Whether you are a lifelong fan who knows every note or a newcomer looking to experience the album for the first time, this is the definitive way to hear Yes at their absolute peak. 192 kHz : A masterclass in rhythmic counterpoint,

: Standard CDs offer 16-bit depth, yielding 96 decibels (dB) of dynamic range. 24-bit audio blows this open to 144 dB. In Close To The Edge , this allows the whisper-quiet ambient nature sounds of the intro to coexist perfectly with the sudden, explosive burst of Steve Howe’s guitar.

This pastoral section lives or dies by dynamic range. In the 2013 FLAC, the transition from the gentle 12-string guitar intro to the powerful “And you and I climb...” section is breathtaking. You can hear the room ambience around Jon Anderson’s voice—the natural reverb of the studio, not a digital add-on. The 24-bit depth means the quiet passages (the organ drone before the “Eclipse” section) are utterly black and silent, while the crescendos don’t distort.

To truly experience the 192kHz depth, ensure your signal chain is optimized: Must support native 192kHz decoding (avoid downsampling).

: A masterclass in rhythmic complexity and counterpoint melodies.

For the progressive rock obsessive and the audio purist, is not just a file format. It is the definitive digital artifact of an undefinable album. It is the sound of a band reaching for the edge, and finally, in high resolution, bringing you with them.